Audio drives the cut.You keep the creative part.
Powered by drop-driven multicam — RIM CHOP syncs your festival cameras and cuts hard on every drop, then hands you a switchable edit straight into DaVinci Resolve and Premiere Pro, live while they are open.
From footage to finished reel.
Load the cameras, let RIM CHOP find the drops, open a switchable multicam edit in your NLE. The whole way through, nothing is flattened.
Pull straight from your open project.
Drop in every camera and a reference track — or let RIM CHOP read the project you already have open. It sees your sequences, your media pool, your timecode, and takes it from there.
RIM CHOP cuts hard on every drop.
RIM CHOP syncs the cameras and cuts hard on every drop, with weighted roles and anti-repeat.
Wrong camera? One key.
RIM CHOP puts the edit back into the app you left open, and every cut still knows all your cameras. If the third drop sits on the wrong angle, you press one key instead of rebuilding the clip — your trims, zoom and shake stay where they are.
Keyframes that moved when we switched an angle on a multicam cut — measured, not estimated. On a flattened timeline the same test shifted 218 of 666, by up to 8 frames.
The real workspace.
The actual RIM CHOP interface — six screens, one flow. Flip through Sync, Intake, Analyse, Cut, Recalibrate and Deliver.
Not a sync tool. An edit.
Everything RIM CHOP builds stays editable — real multicam clips, real angles, ready to finish.
Switchable multicam
Angle per cut as a real multicam clip. Re-pick any shot — ⌥ + a number in Resolve, number keys 1–9 in Premiere — no cut slips.
Writes a real .prproj
A finished Premiere project with a pre-picked angle per cut — no plugin required. The app runs on macOS; the project opens in Premiere on any OS.
Camera RAW sync
Compatible with Blackmagic Design Blackmagic RAW — plus other professional camera RAW through the manufacturer SDKs — footage ffmpeg can't open.
Drop-driven cuts
Beat and energy detection place a hard cut on the drop with weighted camera roles.
Anti-repeat
Never the same camera twice in a row — the edit breathes like a human cut it.
Local captions
On-device Whisper captions with animated styles. No clips uploaded anywhere.
Auto-reframe
Five formats — 16:9 · 9:16 · 4:5 · 1:1 · 5:4 — grade-preserving.
Edit preserved
Your cuts, zoom and shake stay intact — nothing is flattened or baked in.
More comingsoon
New tools ship every update — the list keeps growing.
Straight into your NLE.
Not a file hand-off. RIM CHOP talks to Resolve and Premiere while they are open — it reads your running project and the finished edit lands in the app you already have in front of you. The whole conversation stays on your machine.
By month, year or season. Founder rate to start.
A monthly or yearly plan, a 6-month season pass for festival season, or a free tier to try it first. The first 30 editors get €99 their first year.
- 20-day full trial
- All cameras, watermarked
- No time limit
- Flexible, month to month
- Unlimited cameras
- All features
- Everything, all year
- Unlimited cameras
- All updates included
- Pay for the season you shoot
- Unlimited cameras
- All features
Prices planned for launch · local VAT at checkout
A hundred reels a month, not a hundred hours.
Sync a full set once, chop it into 10–20 reels, deliver. Pros ship 100+ reels a month — here's what that time is worth.
≈ 15 reels per set · ~30 min per set in RIM CHOP (measured) · sync-only tools cost €125–249 and stop at sync
A tool for me. A tool for you.
RIM CHOP comes out of cutting multicam for festivals, clubs and artists in the electronic-music world. Syncing a wall of cameras to the music and razoring every reel by hand ate whole nights, and the automatic tools out there either couldn't sync the RAW or wouldn't give back a real multicam edit you could still touch.
So RIM CHOP was built and run on real full-night shoots. It syncs the cameras, cuts hard on the drop, and hands back a switchable multicam project in Resolve or Premiere — the machine does the routine, you keep the creative part. If you cut festival footage too, it was built for you as much as for us.
Day full trial
Every feature, no limits — try it on a real set before you pay.
Starter tier
All cameras, watermarked — free to keep as long as you like.
Always current
Every update included — tuned for each new Resolve and Premiere release.
Founder seats
The first 30 editors get €99 their first year, for feedback.
Season option
A 6-month licence for the busy festival season. No auto-renew.
Runs on your machine
Captions and analysis run on-device. Nothing uploaded.
Good to know.
Do I need DaVinci Resolve Studio?
What sync methods are supported?
Can I still edit after RIM CHOP builds the reel?
What does it output?
.prproj with multicam and a pre-selected angle per cut. Reels reframe to five formats — 16:9, 9:16, 4:5, 1:1 and 5:4.Which platform?
Is it available now?
Be first on the switch.
Leave your email — we'll send founder access the moment RIM CHOP ships. No spam, one message when it's live.
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Trademarks & SDKs
RAW support in RIM CHOP is built with the Blackmagic RAW SDK and other professional camera RAW SDKs. RIM CHOP is compatible with Blackmagic Design Blackmagic RAW.
RIM CHOP is an independent product, not affiliated with, endorsed, certified or guaranteed by Blackmagic Design or Adobe. Blackmagic RAW is a trademark of Blackmagic Design Pty. Ltd.; Adobe and Premiere Pro are trademarks of Adobe Inc. All other trademarks are the property of their respective owners.